Arcade Fire didn’t really used to sound like any other band. But 2010’s The Suburbs set them off on a journey of mainstreaming which Reflektor, their fourth album, refashions into a sprawling quest to pay homage to their influences whilst hinting at bigger truths. Like The Flaming Lips’ The Soft Bulletin before it, Reflektor is a concept-album about not having a concept. Continue reading Living with Black Orpheus
It starts with the crowd showing their appreciation. Slowly, a rhythm settles in. Then, a gut-churning bass line and a central instrumental motif guaranteed to make bodies writhe. It’s The Rapture’s “House of Jealous Lovers”—the first DFA single, with James Murphy behind the boards.
And it’s pretty much David Bowie’s “Love Is Lost”, too, albeit spun out over a ten-minute remix masterminded by, yes, James Murphy. Continue reading James Murphy’s Law
Over breakfast, reading Giles Coren and Matthew Parris in The Times, I was forced to conclude that schooling kills creativity, and economists’ predictions are not so much dismal science as abysmal science. I suppose I am doubly screwed, then. Continue reading Unfriends like these