Monthly Archives: November 2014

Our love, our music

For anyone with more than a casual acquaintance with Aphex Twin‘s 1990s output, the first hearing of “minipops 67 [120.2] (source field mix)” is a sobering experience. There’s the healthy dose of weirdness—disembodied voices, a constantly shifting structure, wonky tunings and a random diversion into jungle—that denotes this is the work of Richard D. James. But there’s also a classical sense of proportion and beauty—think of those celestial synths, the timely intervention of piano—that feels unexpected, and unexpectedly comforting. Continue reading Our love, our music