This time last year, I bored you all to death with my fifteen favourite albums of 2009. At the time, I suggested my list was not very useful because I had spent much of the year catching up on older music thanks to Spotify.
A year on, plus ça change. A friend told me he was surprised to see Fleetwood Mac extremely high on the list of most-listened to music on Spotify. I told him I was probably the reason behind this.
Nevertheless, for (non)completists’ sake, I shall persist with this probably pointless exercise. It might give you some weird insight into my warped tastes, at least.
Because I don’t wish to look like a slacker, you can also expect me to publish a list with albums I will get round to listening to in the near future. Continue reading Under-informed profligacy – Favourite Albums of 2010
Heads up, there’s a new Foals album just around the corner. Entitled Total Life Forever, it’s set to be released on 10th May, presumably on Transgressive Records.
The Oxford quintet’s debut, Antidotes, was something of a damp squib, riding in on a tsunami’s worth of hype, but never really reaching the heights we anticipated. It all felt rather soulless and empty, which is always a risk when you trade in vector-like math rock and guitars and synths that sound like insects, but fail to deliver any particularly meaningful lyrics or emotion. Unlike their contemporaries Battles, Foals’ music rarely captured the playfulness required to lift math rock into the category of music that you could enjoy, and not just appreciate.
Antidotes also had a troubled gestation – producer du jour Dave Sitek had his mix unceremoniously dumped in favour of the band’s own. This new one has been produced by Luke Smith, formerly of Clor, in Gothenburg. Judging by the photographs I saw of the band beavering away in the studio, it looks like some kind of palace to IKEA. Here’s hoping Total Life Forever will succeed in conveying the kind of fun most kids enjoy in an IKEA ball-pen (as opposed to the consumerist nightmare most adults endure in the rest of the store).
In other news, according to this tweet, James Murphy’s new LCD Soundsystem record has been completed, and is imminently being sent off for mastering, in the capable hands of Bob Weston (of Shellac fame).