Tag Archives: ready for the floor

The most perfect four-minute pop song, distended to include an anticipatory intro which leaves you begging for that minor-to-major chord change.

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For your consideration: this year’s alternative, accidentally-festive Christmas banger.
(Following 2008’s “Ready For The Floor“, which was guaranteed to make the post-turkey washing-up go faster, and 2010’s “Hannibal“.)

Hot Chip – One Life Stand

Much as I enjoyed Hot Chip’s third album, Made In The Dark, I’ll admit that it was a slightly cluttered, claustrophobic listen. There was a lot going on in some of the tracks – “Shake A Fist” and “Don’t Dance” in particular – and though this was offset by the sparser, more low-key numbers (the title track, for instance, was  a masterpiece of concision), the overall vibe was very busy and slightly unfocused. Which is why I’m very excited by the literature surrounding the band’s forthcoming fourth album, entitled One Life Stand because a range of sources have suggested that it will be a more stripped-down and focused affair – an album’s album, if you will.

The album’s release is being preceded by a digital release of the title track which, in truncated form, occupies a radio-friendly three-and-a-half-minutes. And it’s a great pop song, in the catchy mould of “Ready For The Floor”, albeit with an added jaggedness and bite. “Tell me where you’ve been… where you’ve been staying” whispers Alexis Taylor in his most conspiratorial tone, backed by clattering steel drums and a synth line rich in overtones. After a time, synth-wizard Joe Goddard pipes in with a somewhat supernatural moan which continues throughout the chorus, followed by one of the most glorious, buzzing synth melodies I’ve heard in a long time. “One Life Stand” is foreboding and seductive; its relatively simplistic structure belies the love of pop music beating at its core. It’s a wonderful addition to the band’s catalogue of cult classics, and I really do expect it to break high into the charts.

Hot Chip  – One Life Stand (embedding disabled by Parlophone, joyless souls that they are)