Small stakes leave Spoon with the maximum blues.
Some years ago, the Brighton-based band British Sea Power asked, “Do you like rock music?” Responding on an album entitled by the same question, they seemed to suggest that they did, but only when that music was enlarged, grandiose, and Arcade Fire-aping. On Friday, performing at the Kentish Town Forum, the nominally Texan band Spoon presented their own answer, making the case for rock music in a manner enhanced by various tricks, but still definitively in touch with, to use their own phrase, “small stakes”. Continue reading RoarI’lllistentohearit
In the autumn I saw Parquet Courts in concert. The adulation they received from their young fans got me thinking about underappreciated American rock bands. Allow me to elucidate—with reference to the works of The Walkmen, Dirty Projectors and more. Continue reading Great Underappreciated Songbook
The recent debate between David Longstreth of Dirty Projectors and Robin Pecknold of Fleet Foxes, on the state of indie rock, brought to the public’s eye an issue I’ve been grappling with for a little while. In an age of such discontent, even a radical moderate such as myself can find some solace in the sometimes-disproportionate anger of politically-conscious hip hop. Continue reading Beats, rhymes, and the radical centre