“One day you might realise / That you might need to open your eyes.”
We know a fair bit about Hot Chip‘s love of wonky, garage, and house. We know this from songs like “Don’t Dance”, “Bendable Poseable” and “We Have Love”, and we know this from Joe Goddard’s various side-projects, like The 2 Bears. On Hot Chip’s last album, One Life Stand, they sounded sometimes exhilarating, frequently lovestruck, and occasionally like they were sweatily getting down on the dancefloor. But they never conjured up all these moods at the same time.
Our first taste of what Hot Chip in 2012 sounds like comes via “Flutes” (see above, in a head-spinning in-studio video). At once euphoric and romantic—perhaps that’s a symptom of the cheesy cut-up vocal sample, overlaid with warm analogue bass and chords—the song builds and builds, taking on new and exciting layers of vocals, synths both arpeggiated and wailing, and pulsating percussion. It’s like a carnival, walking through a renewal of one’s marital vows.
That this marathon workout never collapses or feels like it’s treading ground is evidence of Hot Chip’s maturity as songwriters, which has progressed even further since One Life Stand. On that album, they constructed sweet pop songs with interesting production and instrumentation; on “Flutes”, they’re pushing the boundaries of pop music, with a composition that travels round the world and is still back home in time for supper. The roly-poly electric piano finale is the icing on the cake.