The collection of Alice Coltrane’s most devotional music in one landmark release opens up a mysterious period of her life, and some home truths contained within mine. Continue reading Sacred music for sceptics
I have invested many hours’ typing into Antony Hegarty, the man with the golden voice. Even if you liked the wandering-vocal-over-haunting-drone pairing of “Dust And Water“, you may still be surprised and baffled by “Swanlights“, which is taken from the 2010 album of the same name. Backmasked vocals compete with a tightly-knotted bass-line, atop a creeping organ drone. Near the end, a connection is forged between the avant-garde and the sacramental, as a chorus of swooping Antonies bring the song to a teetering conclusion. There is no genre that captures music this impassioned and oblique; its nearest antecedent is the enigma of Alice Coltrane’s post-jazz, with its extraterrestrial and spiritual leanings.