Sometime around 2006, I thought Bloc Party represented our best hope for a British art rock band who could continue to challenge and delight listeners in equal measures. Of course Silent Alarm nodded knowingly to Gang of Four and Wire—but I counted on them having more original tricks up their sleeve. The edgy post-punk displayed on their debut album wasn’t pioneering, but it hinted at greater works ahead, shot through as it was with the textures of post-rock (the intricacies of “So Here We Are”, the moody brewing storm of “Compliments”). The inspired remix album that followed did little to dispel the notion that Bloc Party were forward-thinking and restless.
How wrong I was proved to be. Continue reading Bloc Party’s nine lives