Crazy beat

Panda Bear’s “Afterburner”, from last year’s Tomboy, is both immeasurably huge, and outrageously simple. Its efflorescence hinges on predictable but shifting melodic patterns, repeated on guitar and bass, and a clockwork rhythm that is seemingly unaware of the beautiful carnage unfurling above it. Effects wash over the song like tidal waves; the guitar is drenched in painfully beautiful reverb, and all manner of synthetic space-noises eddy and buckle throughout. At the song’s apotheosis, it achieves a chaotic state of bliss, and the listener must surely surrender. One thing that doesn’t give in, however, is that ever-present beat. Occasionally filled out by wooden blocks and pattering hi-hat, it is a rock that can’t be washed away by the powerful ocean around it.

I found a likeness in a song recorded almost forty years prior to “Afterburner”. Nestling in the middle of Bobby Womack’s landmark Understanding LP is a scuzzy pocket-epic called “Simple Man” which, honestly, would not have sounded out of place on a collection of Can B-sides. Atop a krautrocky rhythm rages a dense frenzy of electric piano, guttural machine noises, Womack’s crazed vocals, and his fluid guitar-playing. The beat is unwavering, and holds down all the dizzying madness overhead. It’s a scary cocktail, but appropriately, the song struts and gallops rather than swampily creeping along like a Can cut.

These two songs, so disparate in their origins and creations, can nonetheless be reconciled. They exhibit strong motion where there could so easily be a stodgy mess. The density in both tracks’ production is overwhelming, but not disconcerting—and you can thank their motorik beats for that.

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