I wish I had grown up listening to Spoon. I’ve written on several occasions about the way their precision-engineered intelligent pop music gets to the point in just the right length of time, with witty, insightful and intellectualised lyrics coupled to hooks and grooves that are sparse, but catchy as anything. I defy anyone to listen to “I Turn My Camera On” or “Don’t You Evah” and not have their hips swinging within the first thirty seconds.
And my, how they’ve grown. It’s startling to think that the same band that produced a work of such brooding melancholy as Kill The Moonlight has since gone on to create a sparkling gem of a pop song as The Underdog, laden with parping brass arranged by Jon Brion. Their 2007 LP, Ga Ga Ga Ga Ga, was a masterpiece of concision and emotion. In January, they will bestow upon their adoring fans a new creation, which will be called Transference – possibly in honour of the psychoanalytical phenomenon involving the unconscious redirection of emotion from person to person.
In anticipation of this, Spoon have treated us to an early indulgence, in the form of a new single, entitled “Written In Reverse”, which hits digital retailers tomorrow, but can be streamed from NPR Music right now. Unsurprisingly, I’ve already given it a spin on your behalf. It’s an interesting beast, somehow more reminiscent of their Gimme Fiction-era work, riding in on parlour-room piano and an almost criminally lazy drum beat. The bass is throbbing and occasional; Britt Daniel’s vocals are sandpaper-hoarse and multi-tracked like a choir of Tom Waits clones. Unlike some of Ga Ga Ga Ga Ga‘s best surprises, there’s a return to the wandering, night-time feeling that characterised the two albums before it. 3 minutes and 20 seconds in, you think there might a dose of levity in a surprising chord change on the keys, but the respite is fleeting, instead leading into an exquisite interplay between piano triplets and gurning, insistent guitar moves. The protracted false ending could be another comedy gesture, were it not for the claustrophobia that envelops the actual ending.
“Written In Reverse” is expansive and sophisticated, and certainly the song I predicted would follow sneak-preview single “Got Nuffin'”, released earlier on in the year in a three-song EP. That song had a quick-limbed motorik groove; this song is more lumbering and sleazy. Which is no bad thing, because no band this side of The National does reflected sleaze and grease better than Spoon – the way Britt Daniel can paint a character’s portrait is wonderfully enriching. It’s a grower of a track, then, and it wouldn’t surprise me if it ended up being etched into my brain before long, like so many of the band’s previous creative apogees. For sure, I expect Transference to be nothing short of a magnum opus.