Vendredi à Hyde Park

According to the king of music news exclusive scoops, the NME, Blur have at last announced the full line-ups for their Hyde Park gigs this July. Excitingly, I’ve managed to secure a ticket for the Friday date, where I will be treated to the delightful strains of Vampire Weekend, Amadou & Mariam, Florence And The Machine, and Deerhoof. This news mostly makes me extremely happy, though it does mean I’ll be obliged to get to Hyde Park insanely early on the day. But, happily, it’s the final day of my university term, so a short hop to the other side of London shouldn’t be too taxing.

Vampire Weekend: I absolutely adore their eponymous debut. It’s a glorious celebration of life as a young person (albeit a highly privileged young person) in America; a witty and musically enchanting depiction of campus life. Almost a year into my degree, I can safely confirm that this album most sums up what university is about. As a live act, I’m slightly intrigued by the band. They’ve overcome the limitations of the a four-piece taking on compositions full of polyrhythm and counterpoint and string arrangements reasonably well, bouncing off the irrepressible energy of frontman Ezra Koenig (owner of the coolest first name ever invented) and keyboardist Rostam Batmanglij (owner of the most unwieldy name ever considered fit for usage). I think they will fit in pretty well with the audience, particularly since they’ve wooed numerous crowds on the festival circuit last year.

Amadou & Mariam: A very good friend saw the Malian couple up in Scotland earlier on in the year, and, having closely observed Amadou’s dextrous guitar playing through many years of watching Jools Holland, I think they will be pretty special. It only helps matters that their latest album, Welcome To Mali, is currently one of the highest scoring albums of all time on Metacritic, and that this accolade is entirely deserved. Of course, it’s not that surprising to see them here – as with Vampire Weekend, they channel the spirit of African music into a pop setting, and they’ve worked with Damon Albarn through the Afrika Express coalition. He even produced bits of Welcome To Mali.

Florence And The Machine: The one band on the whole list of support acts about whom I know very little. Then again, she came out pretty highly on the BBC’s Sound of 2009 industry poll… which is probably a mixed blessing. I would guess that this was Coxon’s choice – she’s a vivacious solo artist with a bit of a soul vibe, apparently.

Deerhoof: Famous in blogosphere circles, no? They’ve been around for a number of years, with a huge back catalogue to choose from; their frontwoman is a very excitable Japanese lady; their music destroys genres and is generally great fun.

I think this probably makes this gig a better value day’s entertainment than most British festivals. Possibly even better value than cocaine?

Only kidding on the last comparison; poor taste.

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