Another by-product of my reading Nick Kent’s 1970s memoir, Apathy For The Devil, was my being nudged into digging out Roxy Music‘s Country Life album, which Kent really digs. Bryan Ferry was, in Kent’s eyes, a bit of a hero of social mobility (whereas Kent was pretty much its anti-hero). More importantly, Country Life is—I now realise—a truly influential album in the progression of British art rock and glam. You can here those music-hall and oompah flourishes weaving their way into Parklife-era Blur; similarly, Ferry’s voice must have been a major reference point for Franz Ferdinand’s Alex Kapranos.

Country Life opens with “The Thrill Of It All”, an unexpectedly rousing, gutsy song from the ordinarily-louche band. There are car-chase strings, double-kicks on the bass drum, and nimble-fingered bass-work from John Gustafson. In a nod to the football-terrace anthems of the future, there’s also a good deal of wordless chanting. If only Bryan Ferry knew his handiwork would someday inspire this.

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